Studying calculus and discovering what distinguishes a measurability existence and a non-measurable infinite reality, influenced the creation of the Geometry Series. Through strategies of beauty and seduction, utilizing the formal properties of art: spatial arrangement, geometric shapes, repetition and symmetry, the work finds as its source three ideas.
One: geometry induces the constructive and creative impulse. Out of geometry, the cycles and structure of life are generated.
Two: geometric patterns propose recognition of enduring deep-time interconnections of human life and all matter. By the manner in which thought processes are mediated for us today, we are taught to avert the possibility of transcending into reflective states of mind. Each work in this group, is intended as a meditation and a prayer for the emergence of a reflective states of mind inseparable from nonviolent consciousness. In many of the paintings, arcs rise and revolve to the surface like fragments in an infinite, non-measurable space. The exposed segments visually reveal an underlying connectivity on the quantum level.
Three: the field or ground of each painting evokes the timeless state of existence and non-existence.

The color white (used as the ‘ground’ in the above and the following paintings) for centuries in Western art has signified the spiritual realm. At the core of each White Series work, white is the space through which the god or positive universal energy comes through. Everything is present and possible in white light. The use of red in the White series is intended to evoke life. Circles and arcs are brought into relationship with each other to generate new energy.